The Last Jedi continues The Force Awakens' preoccupation with passing the torch, as Luke and Leia must learn to take a back seat to Finn, Rey, Poe, and the brave engineer Rose. Sometimes this makes it feel like we're trying to follow too many characters, especially in the middle of the film.
Sure, they're around-both Carrie Fisher as Leia and Adam Driver as Kylo Ren are standouts-but increasingly our attention is on the gleefully self-identified "Rebel scum" like Finn (John Boyega) and engineer Rose (newcomer Kelly Marie Tran). They're mostly Plebeians, not Patricians, regular people who rely on each other to rise up and challenge an authoritarian military power that’s galactic in scope.Īt a time when the rebellion is on the brink of annihilation, it's refreshing to see the franchise abandon its fixation on princesses and Skywalkers. What sets The Last Jedi apart, ultimately, is that we've finally got a team of Rebels who feel like members of a nascent democracy. But at the same time, the movies have always revolved around aristocratic families and their precious dynastic bloodlines.
The grand arc of the Star Wars series is about how the scrappy Rebels fight the yoke of Imperial oppression. Luke actually makes fun of his mythical reputation when the wide-eyed Rey (Daisy Ridley) begs for his help (Mark Hamill is in fine form here as a sarcastic old dude).
In other words, they feel realistically ordinary. They do the wrong thing, or the right thing for the wrong reasons. They are conflicted, disappointed, and unsure what to do. Instead of giving us legendary heroes whose main job is to propel the plot, The Last Jedi focuses on our protagonists’ struggles with the same everyday problems that all sentient creatures face.
Without giving away any of the plot, I can say that The Last Jedi’s greatest strength comes from its characters-and of course the actors who play them. Jedi turns our characters into multi-faceted people and takes the series in new and unexpected directions. Luckily, The Last Jedi is not a reboot or recreation of The Empire Strikes Back, the way The Force Awakens was of A New Hope. The possible exception would be The Empire Strikes Back, and The Last Jedi writer/director Rian Johnson is obviously trying to evoke that film here. You can usually depend on this franchise to deliver zoomy action steered by easily recognizable good guys and bad guys, their motivations untainted by complexity. There are a lot of good things I expected from Star Wars: The Last Jedi, but nuance wasn’t one of them. And, like many movies that are set up like this, 'Star Wars: The Last Jedi' ends in a very contrived way.More SCI-FY strange than funny ha-ha, Star Wars: The Last Jedi tiptoes around.
Star Wars: The Last Jedi A Action of Biblical proportions from the creators of.
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